The Problems with Cinderella Stories
From Annie to Willy Wonka and the Chocolate Factory to The Great Gatsby, “rags to riches” stories are extremely prevalent in
American society, reflecting the American ideals of being able to come to the
country and, with or without hard work, become something great. This idea is
especially prevalent in Cinderella stories such as Disney’s Cinderella and Pretty Woman. Even though
the original story is German in origin, the idea of “rise tales” appeals to all
peoples, but especially Americans, one of the reasons that both of Disney’s Cinderella
stories did so well when they came out. Pretty
Woman was just as much of a success, being one of the most popular romantic
comedy stories and winning Julia Roberts a Golden Globe Award. Those in lower
classes look to the story for inspiration, believing it an example of subverting
class structures seen as rigid and unchanging. If Cinderella can do it, why can’t
anyone else? This idea is often faulty, however, and usually offers a sense of
false reality where status is equivalent to happiness and gained without any
significant struggle.
In Cinderella,
Cinderella escapes the life of her horrible step-family to join the prince with
help from her fairy godmother. In this way, Cinderella does not put in any
significant effort of her own, instead relying on her fairy godmother to
prepare her for the ball. In the Disney version, however, Cinderella does not
have to put in much effort to impress the prince, who taken by her beauty and
appearance dances and talks with her all night. Another thing wrong with this depiction
is that it is Cinderella’s beauty and charm that initially interests the prince,
in comparison to her “ugly” stepsisters. Frequently in children’s tales, those
who are not beautiful rarely get what they want, though one can argue that the
stepsisters were inwardly ugly as well.
In comparison, Vivian in Pretty Woman falls for Edward Lewis
after entering into a business proposition from him while trying to pay her
rent. It is her personality that intrigues Edward, and by the end she sees life
much differently than when she started. Though near broke, and not without
significant troubles, Vivian like Cinderella is not upset about her life, instead
taking everything with a grain of salt. Though she goes through significant, Pygmalion-esque
challenges some scenes rubbed me the wrong way. Vivian becomes an entirely different
person around Edward’s colleagues, and though she still maintains herself, she
has to push her personality down to fit the bill for what Edward needs. She is
depicted as much happier at the end of the movie and has risen up in life.
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